New Festivals: A plus!

April 26, 2009 at 11:49 pm (Research)

It’s never a disappointment to see that a festival is coming to town, especially one that could be annual. What was disappointing is that I wasn’t there. What can I say? It was Tigerfest.

Anyway, thanks to Sam Sessa, I found out about a new festival: The Station North Spring Festival. It took place in… the Station North Arts and Entertainment District. Founded by Joe Squared Pizza and Bar owner Joe Edwardsen, the festival was set to have multiple stages (15, I believe) in various locations including Joe Squard The Zodiac, Windup Space and Hexagon. The price? Free!

Events included music, burlesque and a fashion show – all taking place at different spots in the district.

It’s not only sparking up interests of the entertainment buffs, either.

Jacques Kelly, a columnist for the Baltimore Sun, took interest in the festival as well. His stance on it leaned more on the idea that the festival will help to revive the district’s market.

Kelly pointed out that the Station North Arts and Entertainment District had pretty much plummeted after a six-alarm fire in 1968 and for nearly 40 years, the area was dead. This death of the area has been undermined by the art students and supporters who have taken over the area in an “attempt” to revive it. So far, things look good. That’s what the festival is celebrating.

I’m bummed I missed out on the opportunity to get to the festival and its too bad I’ll have to wait a year to (hopefully) experience it. I’ll be on the lookout for info and reviews of this festival. I’m glad it’s sparked a lot of interest, because it’s a nice area that isn’t getting the love it deserves.

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Law and Ethics for Blogs: Reaction

April 26, 2009 at 10:57 pm (Reaction)

Hm… I really didn’t think that blogs were to this level of seriousness. By that, I mean there have been lawsuits regarding blogs. Weblogs. Wow. That’s pretty disgusting. I was really glad to see that many cases were dismissed because the supposed libel was opinion. The fact that this has become a legitimate issue is pretty bogus if you ask me. (This was written as a response to Mindy McAdams’ blog post entitled “Libel suits, blogs, and comments”

Ethics – now there’s a concept I am grasping. Granted, a lot of things on the OJR’s piece about blog ethics were basics. And basics aren’t hard to hold onto. “Disclose” – that’s a good one to keep in the noggin. Links, links, links – so that the readers know where your information came from and so that they can find out more for themselves, should they want to. At least that’s what I got out of that one. “Check it out, then tell the truth” is essentially a basic principle of journalism. Just make sure what you write isn’t false information. No one wants that spoiling their day. And no blogger/journalist needs that to ruin their career and credibility.

News Judgment, I think, was the “newest,” most important concept on ASNE’s article on Online Journalism as a New Frontier. It was a good wrap-up of everything and it made it clear exactly how expansive and involved that the world of online journalist is becoming.

It’s a little frightening.

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Doing some chit-chatting…

April 26, 2009 at 5:25 pm (Reporting)

This week I had the opportunity to chit-chat with Catherine Pancake, the person behind the Transmodern Festival and get a little backstory and ambitions of the festival.

There is a lot of hope and good-will in the Festival’s “mission statement.” Initially it formed as a way to showcase the female avant-garde artists in the mid-Atlantic area.

Pancake was impressed by this year’s festival and many of the exhibits that were installed. Its attendance had grown from around 150 in its first year to around 2000 people this year. She mentioned the Human Foosball table, which was a huge success compared to the budget it was given.

As it continues to grow, she said she’d like to find more intellectual connections with the festival and its exhibits/performers. Overall, she looks forward to watching it unfold as it and trying to understand it herself as it continues to take on new forms and meanings.

I also asked one of the performers, Shana Moulton, some questions.

Moulton was one of the performers at the Transmodern Festival’s opening ceremony. She is a visual performer who examines different aspects of life and communication in a quirky way.

Her performance at the Transmodern Festival was about women, and showed her influences of hypochondria and negative body image. Even with its “heavy” content, Moulton’s performances are light and enjoyable – tending to one of the messages she tries to convey through her work: “Don’t take anything too seriously.”

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Reaction: Readings

April 19, 2009 at 10:56 pm (Reaction)

I decided to respond to the online reading Why Photojournalists Should Gather Audio by Brian Storm.

It’s a little outdated, being from 2005 and the current stock we’ve put into video, but it’s still relevant. As beginning journalists, we’ve begun to experiment with photography and other forms of electronic journalism (hello, blog).

The story was a good way of firing off benefits of adding sound to photos. In addition to enriching the the story, it’s a good financial benefit. Even though it takes a lot more energy to gather and organized video, the end result should be worth it. Audio gives the story a more personal and in-depth feel, while complementing the photo – which is necessary in the age of information. Even though pictures say a whole lot, we’ve gotten to the point that where even a picture needs rounding out.

What I enjoyed about the article was the different perspectives and effects that the combination of words, photo and audio can have. The inclusion of different outlets was a nice touch, too.

Interestingly enough, he provided a section on how this combination compares to shooting video. This makes a good argument for the still images – one being it works better for print, also.

From Briggs, I’m responding to Chapter 11. As we’re getting ready to work on our slideshows, one of the more prominent things I need to be paying attention to is the voice-over/narration. Unfortunately, the introduction to my chapter ruined my dreams. My dreams of being an improvisational master have just been crushed. Even so, I’ve already started “preparing” my narrative.

Unfortunately, much of my interviewing and such was done before this chapter happened, and I don’t believe that my slideshow will have audio interview. Even so, I’ve got some good advice for future audio stories. Of course, that’s what always got me nervous.

It’s kind of crazy how the voice-overs and interview sound clips are different. I’m baffled. It’s the completely the opposite of what I would have written a script as. But the voice-over is currently more applicable. I’ve never taken any sort of broadcasting courses, so this is my first introduction to anything of the sort.

The script from the hurricane family was helpful – and probably a slight model I’ll look to when I’m writing my script this week. What should be basic common knowledge would be the “operative words” but its definitely helpful knowledge for me to know.

Hopefully it helps enough.

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Research.

April 19, 2009 at 9:16 pm (Uncategorized)

I’ve come across this blog before, actually. Aptly titled “The Scene” covers the scene as it spreads from Baltimore to the D.C. area.

In addition to its musically-based content, it has been updating on the city legislation and its work sessions. So far, there have been three updates as the City Council has held its Community Work Sessions. Richard – the maintainer of the blog, or at least the one who’s been writing the entries about the City Legislation – mentions that most of his news has been taken from the page of the Baltimore Live Arts Supporters (BLAS).

This latest entry focuses on the most recent revision of the Bill. The new version has taken into account a lot of the issues that the blog readers and those complaining have brought to the City Council’s attention. The blog puts things into some nice simple terms (although they’re also in the BLAS group page with more details).

What’s good, as it reports (and in general), is that the bill is moving in a more positive direction. By “positive” I mean more clear and more fitting of a compromise (despite the Baltimore Live Arts Business Association’s and BLAS wishes to completely abandon the bill). Even with the changes, the bill is still not completely solid. There are still some concerns with it – the main one being the impending date of the final vote.

As those affected see it, things are moving way too fast.

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